REPETTO
Dance transcends cultures, generations, and spaces; it is a boundless form of expression.
Since 1947, Repetto has combined the values of dance with French luxury to offer its clients a seamless experience—comfort, agility, and performance.
THE PITCH
Repetto approached us to rethink its digital ecosystem.
Beyond a website redesign, the goal was to modernize the brand’s image and fully integrate the sport line into its territory.
Our approach was built around three complementary pillars:
Strategy — analyzing the brand’s current challenges, understanding the evolution of its audiences, and defining a new direction capable of reconciling heritage and modernity.
Content production — developing agile and contemporary solutions to meet the growing demand for content, while ensuring consistency, desirability, and performance.
Website — designing a platform that is both transactional and editorial, able to showcase the brand’s history and craftsmanship while delivering a tailored user experience aligned with this new direction.

ROLE
I led the strategic repositioning of the brand, grounding it in cultural insight and defining a clearer, more contemporary posture.
I reimagined the content ecosystem — building a model capable of producing more diverse, channel-native content without losing coherence or desirability.
Finally, I directed an outstanding team to craft the entire UX and UI experience, translating strategy into a tangible, seamless digital expression of the brand.
CONTENT STRATEGY
ASSESSMENT: STRENGTHS AND WEAKNESSES
CLASSIC DANCE
Classical ballet is one of Repetto’s core strengths — central to its DNA and backed by genuine expertise within the professional dance world. This deep-rooted legitimacy reinforces the brand’s prestige and authenticity.
However, such a strong association can also create rigidity. By being so closely tied to ballet, the brand may limit its ability to expand into new markets and broader content territories, constraining its evolution.

MUSE
Repetto’s historic muses — Serge Gainsbourg, Zizi Jeanmaire — have built a powerful cultural capital. They embody a singular vision of French culture: free, elegant, and impertinent. This foundation is a valuable asset.
However, if not reactivated, this heritage risks anchoring the brand in nostalgia. These figures belong to another era. To remain desirable, Repetto must engage a new generation of ambassadors capable of reinterpreting its codes, expanding its audience, and expressing its values in a contemporary language. The challenge is not to break from the heritage, but to project it into the present.


MOUVEMENT
Movement is at the core of Repetto’s DNA. Through dance, sport, and lifestyle, it connects all product lines and offers a powerful bridge between heritage and modernity.
Yet its expression remains largely static. With limited use of motion or video, the brand’s visual language feels frozen — creating a dated perception that weakens its dynamic potential.
UNDERSTANDING CROSS-CULTURAL ISSUES
Classical and contemporary dance are no longer confined to traditional codes; they have become a space for cultural dialogue, a driver of modernity and inclusion. Today, artists, filmmakers, and brands integrate these forms into their work, reinterpreting them through diverse cultural lenses and creating a fresh perception of this art. The blending of styles—hip-hop, Voguing, K-pop, or street culture—with classical dance generates a visual language that is both accessible and appealing to wider audiences. This cultural crossover meets a growing societal demand for inclusive and inspiring representation while driving engagement and curiosity. For Répetto, these trends highlight the brand’s opportunity to act as a catalyst for intersections between artistic universes, where cultural hybridity and innovation become strategic levers to strengthen relevance, modernity, and reach new audiences.
This content must be embedded in a broader vision that genuinely addresses the social realities of new generations in order to stay relevant and appealing to younger audiences.
FROM DANCE
TO POP CULTURE
These two examples perfectly illustrate how classical dance can serve as a lever for modernity and inclusivity. Angel’s music video pairs a pop icon with classical dancers, showing how the art form can enrich popular culture and reach new audiences. The Jott commercial places classical dancers on a contemporary road trip through Marseille, demonstrating how ballet’s precision can dialogue with urban and modern contexts. Together, these cases highlight the power of cultural hybridity: surprising, engaging, and repositioning a traditional art as a living, accessible, and transversal language—fully aligned with Répetto’s strategic vision.
DANCE'S EVERYWHERE
AND IN EVERY
CULTURE
Bintou Dembélé became the first Black woman to choreograph a ballet at the Paris Opera, blending krump, voguing, waacking, and Baroque music to reinterpret Les Indes galantes. Vinii Revlon, a European voguing legend, brings his energy and ballroom vocabulary to the stage. Their collaboration demonstrates how street and marginalized cultures can enter classical institutions, challenge aesthetic norms, and reach new audiences.
AREA OF
EXPRESSION AND
LEGITIMACY
FASHION & LIFE STYLE
Language: Trend-focused
The goal is to showcase fashion in motion and highlight collaborations that merge style with cultural relevance. By tapping into trends and cross-disciplinary partnerships, the brand positions itself as a forward-thinking player in the lifestyle and fashion space.
DANCE
Language: Professional
The objective is to stay connected to cultural movements and maintain credibility within the dance community. Engaging with professional dancers and choreographers ensures the brand resonates authentically with the artistic world.
ATHLEISURE
Language: Community-focused
The aim is to reach diverse communities—crossfitters, yogis, runners, and more—through shared values and active lifestyles. By fostering inclusivity and participation, the brand builds strong connections across multiple fitness and wellness subcultures.
From Fashion to Dance
From Sport to Dance
USER
EXPERIENCE
A CUSTOMISED JOURNEY
A METHODOLOGY BASED ON USER TESTS
Our UX methodology is grounded in user testing to ensure insights reflect real perceptions. We began by engaging people on the street to understand their initial perceptions of the brand and identify areas for adjustment.
Consumer perception does not seem to align with Repetto’s reality.
Interface user testing
We then conducted tests on digital interfaces, evaluating brand perception, shopping experience, and engagement with editorial content. This iterative, hands-on approach allowed us to align the product and experience with users’ expectations, bringing accuracy and relevance to our design decisions.
Good quality
Prissy
Expensive
Too girly
Confortable
HOW TO CRAFT A DISTINCTIVE EXPERIENCE?

THE CREATIVE CONCEPT WAS DESIGNED TO ADDRESS THE DUAL CHALLENGE OF PREMIUM E-COMMERCE:
balancing branding and performance. Four key shopper personas were identified, each with a distinct relationship to the brand and its products. The site and user journeys were therefore crafted to accommodate diverse needs and varying levels of brand engagement. Looking at the evolution of the site—2000: highly experiential but low e-commerce focus; 2015: high-performing but storytelling diminished—our approach for 2030 combines both strengths. Flexible e-commerce templates allow the brand to express its identity while delivering a seamless, high-performance shopping experience.
A METHODOLOGY BASED ON USER TESTS
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A METHODOLOGY BASED ON USER TESTS
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DO YOU NEED A FRESH APPROACH ?
CONTACT ME NOW
CONTACT ME NOW
NICOLAUFFEN@GMAIL.COM
NICOLAUFFEN@GMAIL.COM
+33 (0)6 83 47 24 43
+33 (0)6 834 472 443
CLIENTS
CLIENTS
PRINTEMPS PARIS / ARMANI / ADIDAS / RALPH LAUREN / MELLEIS / FRED PERRY / CONVERSE / BURLINGTON /
PRINTEMPS PARIS / ARMANI / ADIDAS / RALPH LAUREN / PASSIONATA / FRED PERRY / CONVERSE / BURLINGTON